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Basketball Play - Boston Celtics - EOG Post Seal SLOB

Boston Celtics - EOG Post Seal SLOB

Matt Wheeler 05/06/2018

This play was #14 on the most downloaded plays of 2018! Check out the full list and download the playbook: The Top 25 Plays of 2018 The Boston Celtics were down 1 with 8.4 seconds left in overtime when the got the ball stuck in the corner and they had to call a timeout to save the possession. They initially ran a play to get the ball to Jayson Tatum but had to call their final timeout when the 76ers nearly forced a five-second call on the inbounds pass. Down to their final chance, the Celtics ran this play to get Al Horford (5) isolated at the rim. The 76ers were switching all screens to keep the Celtics from getting an open look. This worked to the Celtics advantage as Horford screened for 2, bringing Joel Embid (x5) away from the basket to deny the pass to 2. x2 and x3 had already switched assignments when 3 cut along the baseline. This isolated Horford against Robert Covington (x3) in the post. Covington fronted Horford to deny the pass but with the weak side cleared, Horford sealed his defender to get the lob pass at the rim for the game-winning basket. A Lesson in Late Game Situations: Celtics-Sixers Game 3 See More

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Basketball Play - Philadelphia 76ers - EOG Corner SLOB

Philadelphia 76ers - EOG Corner SLOB

Matt Wheeler 05/06/2018

The Philadelphia 76ers were down 2 with 1.7 seconds left in Game 3 of their playoff series with the Boston Celtics and needed to get a shot off in a catch and shoot situation. The Sixers were able to get a look for their first option in this play with Bellinelli (3) cutting to the corner to receive the pass from Ben Simmons (1) and send the game into overtime. With no timeouts left in the game, Philadelphia embedded secondary options into the play with Joel Embid (5) screening for J.J. Redick (2) at the rim. 5 seals his defender after the screen to get an opportunity at the basket. 2 cuts off the screen up top for the final option in the play. A Lesson in Late Game Situations: Celtics-Sixers Game 3 See More

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Basketball Play - Philadelphia 76ers - Ear Tug 25 Post 1 Bump

Philadelphia 76ers - Ear Tug 25 Post 1 Bump

Austin Anderson 05/04/2018

Philadelphia 76ers - ATO Favorite: This ATO is out of the "EAR TUG" Series. Play is designed to get Simmons to the post to create. "Number-Number" tells you who is involved with the action. "2-5" are involved. 2 flares off 5 (Ear Tug). 5 then rip screens/back screens 1 to the block (post 1). "Bump" refers to the 5 setting a low ball screen for 1. An option out of this play is to have Embiid slip the "BUMP" for a lob look. Click for more 76ers XsOs! See More

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Basketball Play - Philadelphia 76ers - Stagger Away SLOB

Philadelphia 76ers - Stagger Away SLOB

Austin Anderson 05/04/2018

Philadelphia 76ers SLOB action. A majority of Philly SLOB's will start with a strong side back screen and a weak side pin to the top. Play is designed to get Convington/Redick/Belinelli coming off a stagger away. Embiid has the ability to drive from the elbow. Covington/Redick/Belinelli are exceptional at reading the defense and will either get an open jumper or be able curl the stagger to the rim. See More

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Basketball Play - Philadelphia 76ers - 25 Pop SLOB

Philadelphia 76ers - 25 Pop SLOB

Austin Anderson 05/04/2018

Philadelphia 76ers SLOB Action. Philly loves running regular actions out of SLOB looks. A majority of its SLOB's will start with a strong side back screen and a weak side pin to the top. In this action from there, Simmons gets them into their "Ear Tug" Series which looks a lot like "Horns". "Number-Number" tells you who is involved in the action. So for Ear Tug 25 Pop, the 2-5 are in action. Simmons comes off the 2 (Redick/Belinelli) and the 2 is flared by the 5 all the way out to the wing (Pop). Redick/Belinelli have the green light to shoot if they get open. Simmons then receives a RIP/Back screen from the 5 and clears. If the lob or dump down to Simmons is there, they will take it. Sequence ends with Embiid playing a 2-man game with Redick/Belinelli. See More

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