This play starts with a ball reversal from 1 to 4 to 3. 5 steps to the ball-side low post and 2 moves in to the opposite block. 4 screens for 3 as 2 screens across for 5. With the left to right action of both screens, 3 looks to penetrate into the lane or pass to 5 on the cut to the basket. See More
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The players are set up in a box set with the posts at the elbows. Both 5 and 4 screen down for 3 and 2 at the blocks. 1 passes to 2 on the right wing then cuts off of a screen from 5 at the elbow to the opposite corner. 5 then flashes to the high post to get the pass from 2. If 5 isn't open, 5 and 4 step out to set a double ball-screen on the wing. 2 drives middle looking to score, pass off to 5 rolling, or kick out to 1 in the corner. See More
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In this play, the trailer sets a ball-screen fro teh point guard at the top of the key. 1 dribbles left as 5 moves to the ball-side block and 2 sets a back-screen for 4. 1 looks to make the lob pass to 4 for the dunk. See More
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In this specific play Wisconsin made a modification to the common roll & replace ball screen set in which the 4/5 set a ball screen then roll to the rim while the other big lifts to the top of the key replacing him. This makes it tough for the defense to keep somebody in the hole to defend the roll guy. In this Wisconsin ball screen set after Frank Kaminsky sets the ball screen and begins to roll, the 4 man Nigel Hayes screens in for Kaminsky who flares to the wing. With Kaminsky’s man defending the ball screen and retreating quickly to get back to him, Hayes’ defender is in help side to pick up the rolling Kaminsky. Hayes is able to create a deep screening angle to pin Kaminsky’s defender in freeing him up for a wide open jump shot. This small variation was very effective as Kentucky’s bigs were more used to covering the traditional roll and replace action with Kaminsky rolling to the rim, and Hayes replacing him. See More
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Steve Kerr runs a nice set to get Klay Thompson an open shot to being the 3rd quarter against the Memphis Grizzlies. See More
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A really good BLOB set that Shaka Smart used to run at VCU against a man-to-man defense. See More
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This is a last second play that can also be used at the end of quarters in high school. One of our opponents ran this BLOB to perfection against us a couple seasons ago. We did not defend the action very well and gave up the open shot in the corner to lose by one point. See More
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1 dribbles to the left wing pushing 3 across the floor to screen for 4 at the opposite elbow. 4 cuts to the low post looking for the entry pass from 1. 5 screens down for 3 who cuts to the top of the key for a shot. See More
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1 dribbles to the left wing giving the ball to 3 on a dribble hand-off. 3 dribbles middle then swings the ball to 2. At the same time, 5 screens across for 4. If 4 isn't open, he sprints out to the wing as if he is going to set a ball-screen for 2. 4 slips the screen and 5 elevates. See More
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In this play, the point guard dribbles to the left wing as 4 moves from the corner to the perimeter to replace 1. As 1 is dribbling, 5 screens down for 3. 1 passes to 4 who looks to pass to 3 for a shot. If 3 isn't open, 4 dribbles towards the right wing and passes to 2. 3 dives to the low post and 5 elevates. 4 then screens down for 3 who cuts up for a shot. See More
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Another new set the Cavaliers have ran in the Chicago Bulls series has been a set that Doc Rivers ran with Rajon Rondo in Boston and now with Chris Paul in Los Angeles. With Tyronn Lue being an assistant and a main cog in the Cavs system this year, he added this set for Kyrie to get on the move and receive a dribble handoff and attack. The set starts with a pass to the wing and cuts through towards the rim. As Kyrie cuts through the ball is reversed to the top of the key and Kyrie cuts off a double screen from 2 & 4 into a dribble handoff from 5. Kyrie looks to attack initially and if he is stopped, 5 steps up and sets a spread ballscreen for 1. See More
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David Blatt has been adding new sets almost every game this year with wrinkles off of them. A set that he has run all year with Kevin Love spacing was "Thumbs Down." This set had the bigs cross low and Love would space to the corner, while other big set a high ballscreen for the ballhandler. This series against the Bulls they have ran similar action, only with the shooting guard setting a downscreen for the 5 man and pops to the wing, the big man sets a high ballscreen, in this case, for Kyrie Irving to attack. See More
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The Houston Rockets utilize the 4 & 5 man in the Pick & Roll is in the post. They have a guard exit to the wing, enter the ball into the post and have Dwight Howard set a flare screen for the wing man. He then follows up and sets a post Pick & Roll for the 4 man in the post and rolls to the rim. See More
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The Houston Rockets have hurt teams alot this postseason by utilizing their power forwards as Pick & Roll ballhandlers and forcing the opponents two big men to both defend the Pick & Roll. They have used Josh Smith & Terrance Jones to create easy buckets against both the Mavericks and now the Clippers. They opened up Game 2 with this set and scored multiple times against the Mavericks. The Atlanta Hawks also utilized this set against the Wizards, getting an easy lob. This set was made famous by the Phoenix Suns 7 Seconds or Less offense, naming it "Elbow Get" as they utilized Diaw & Shawn Marion to score off of it often. Rockets get the ball to the power forward at the elbow (or lane line extended) and have Dwight Howard set a ballscreen and roll to the rim. See More
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Coach Mike Budenholzer has a great playbook with a variety of plays for different situations. After a timeout in Game 1, he called a nice Elevator set for Kyle Korver, although it was covered well by the Wizards, they still got a decent look from the 3 point line. The set starts off in a Sideline out of Bounds situation and is triggered by the 4 man popping to the top of the key. The inbounder (point guard) sprints down toward the post, and v cuts back to the wing. Korver sets a cross screen for opposite wing and sprints through the elevator screen. See More
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